The term Danceries can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century (and no doubt earlier). This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping!

The melodies themselves are a mixture of new and old---well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set.

Movement 1: Lull me beyond thee.
>Movement 2: Catching of Quails.
> Movement 3: My Lady's Rest.
> Movement 4: Quodling's delight.
The final movement to the set combining one of the melodies from Playford's Dancing Master ('Goddesses') with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.