Objects, according to the anthropological adage, are good to think with. But just what kind of thinking is it that objects enable-or constrain? Are some objects made "cleverer" than others simply through their manufacture or embodied virtuosity? And how might attention to such inherent cleverness enable one to reconsider the aesthetic objects privileged by historians of art?

The Clever Object presents a multidisciplinary exploration of the ways objects materialise, embody, or negotiate various forms of intelligence. Experts from the fields of anthropology, philosophy of science, design history and artistic practice offer rich insights into objects that frustrate conventional modes of narration while seeming to guide-even entrap-the subjects who make, behold, and interpret them. Original and thought-provoking, The Clever Object defines, explores, and expands the category of "the clever object" as an analytic tool of art-historical interpretation for the twenty-first century.